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Results 1 - 20 of 471  for Central Connecticut State University

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Flowers and Women in Hawthorne's THE HOUSE OF THE SEVEN GABLES

Litwicki, Shelby

The Explicator, 02 January 2015, Vol.73(1), pp.38-42 [Peer Reviewed Journal]

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"Pictures Out of Sunshine": Daguerreotypy as the Agent of Change in THE HOUSE OF THE SEVEN GABLES

Bliss, Ann V

The Explicator, 03 April 2014, Vol.72(2), pp.93-96 [Peer Reviewed Journal]

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3
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Nathaniel Hawthorne's Mary in DROWNE'S WOODEN IMAGE

Murillo, Cynthia

The Explicator, 02 April 2016, Vol.74(2), pp.133-135 [Peer Reviewed Journal]

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4
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Ironies in Truman Capote's MR. JONES

Dilworth, Thomas

The Explicator, 01 October 2012, Vol.70(4), pp.314-317 [Peer Reviewed Journal]

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5
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Nathaniel Hawthorne's THE BIRTH-MARK

Howard, Jeffrey

The Explicator, 01 April 2012, Vol.70(2), pp.133-136 [Peer Reviewed Journal]

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6
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The Daguerreotype and Nathaniel Hawthorne's Study in Contrasts

Collett, David

The Explicator, 01 July 2012, Vol.70(3), pp.219-222 [Peer Reviewed Journal]

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7
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Trapped by Typology in Nathaniel Hawthorne's THE HOUSE OF THE SEVEN GABLES

Haack, Ann

The Explicator, 01 October 2012, Vol.70(4), pp.318-321 [Peer Reviewed Journal]

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Understanding "the Plain and the Coloured" in Oscar Wilde's A WOMAN OF NO IMPORTANCE

Canadas, Ivan

The Explicator, 03 April 2017, Vol.75(2), pp.65-66 [Peer Reviewed Journal]

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9
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“A garden in the middle of the sea”: Henry James’s The Aspern Papers and Transnational American Studies

Nicole Waller

Journal of Transnational American Studies, 01 December 2011, Vol.3(2) [Peer Reviewed Journal]

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“A garden in the middle of the sea”: Henry James’s The Aspern Papers and Transnational American Studies

Waller, Nicole

2011

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11
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“A Hideous Torture on Himself”: Madness and Self-Mutilation in Victorian Literature

Chaney, Sarah

Journal of Medical Humanities, 2011, Vol.32(4), pp.279-289 [Peer Reviewed Journal]

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12
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NATHANIEL HAWTHORNE NO BRASIL

Denise Bottmann

Belas Infiéis, 01 September 2013, Vol.2(1), pp.235-250

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Hawthorne's Black Man: Image of Social Evil

Stromberg, Maria

The Explicator, 30 September 2009, Vol.67(4), pp.274-276 [Peer Reviewed Journal]

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14
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Aminadab in Nathaniel Hawthorne's THE BIRTH-MARK

Walsh, Conor

The Explicator, 30 September 2009, Vol.67(4), pp.258-260 [Peer Reviewed Journal]

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15
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The Carnivalesque in Nathaniel Hawthorne’s The Scarlet Letter

Hossein Pirnajmuddin ; Omid Amani

Epiphany, 01 March 2013, Vol.6(1), pp.104-119 [Peer Reviewed Journal]

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16
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“We Must Get Rid of Slavery, or We Must Get Rid of Freedom.” Self, Other, and Emancipation in Antebellum America

Carrie Forsberg

Intersections, 01 April 2018, Issue 20, pp.1-15 [Peer Reviewed Journal]

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An Artist among the Puritans:Challenging a Cultural Image in Hawthorne’s The Scarlet Letter

Michèle Bonnet

E-REA, 01 July 2014, Vol.11

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18
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Were It a New-Made World: Hawthorne, Melville and the Unmasking of America

Michael Broek

European Journal of American Studies, 01 February 2010, Vol.5(1) [Peer Reviewed Journal]

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Nathaniel Hawthorne By Unknown Photographer, Circa 1860
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Nathaniel Hawthorne By Unknown Photographer, Circa 1860

National Portrait Gallery Image Collection

National Portrait Gallery, London 2014

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A Reconsideration of Nathaniel Hawthorne’s The Scarlet Letter

Uğur Uçum

Tarih Kültür ve Sanat Araştırmaları Dergisi, 01 December 2015, Vol.4(3), pp.118-126 [Peer Reviewed Journal]

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